Julette

" Lost something essential? Like a hollow shell without the filling, or you lose a bit of soul and something else takes its place and plugs into the stuff the soul would."

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Julette is the independent fetch of Verona Hayward. Originally a disposable body double she gained sentience and volition. Originally deactivated for this Verona brought her back and is currently considering her for her familiar.

Personality

Is a facsimile of Verona's personality as created by Verona. Julette was given the ability to change herself relatively early but was also made to tell Verona about these changes.<ref>

- Excerpt from Gone and Done It 17.7</ref> She became her own individual who wanted her own things.<ref> - Excerpt from Crossed with Silver 19.11</ref>

Upon gaining full independence Julette was able to joke like Verona playing with the Rule of Discourse<ref> - Excerpt from Hard Pass 22.5</ref> She

Relationships

Verona

As a fetch she became interested in supplanting Verona at one point.<ref> - Excerpt from Crossed with Silver 19.11</ref>

Jeremy Clifford

Wasn't programeed to pass as verona for Jeremy <ref>“Gotta improve this setup, you know? You were cold to Jeremy,” she murmured.

The other Verona blinked.

The books had outlined the method, the means of creating a copy of herself to serve a purpose. Faerie used these sorts of puppets to cover their tracks. If the glamour was good, a child could be stolen away and a double like this left in their place. There were tells, and there were issues. It took a skilled Fae to craft one that had rich emotions and the ability to convince even close family members. That kind of skill tended to require more years than a human lifetime contained.

She’d managed okay. Only the Jeremy thing had stood out. - Excerpt from Fall Out 14.3</ref> He considered confronting "Verona" due to this cold shoulder.<ref> - Excerpt from Fall Out 14.6</ref>

Appearance

Looks like Verona but usually has a mirrored color scheme.

Abilities and Art

Julette has Verona's artistic skills though not with the same scale focus.<ref name=":2"/> She's good enough at school work but is bad at group collaboration<ref>[Verona] set the mask down on top of her bag, checked her homework, but didn’t start it. She’d have to do that later. It was the one trick with the fetch. The fetch could bring her notes and she was doing okay now. A little less great on the recent test than she wanted, suggesting she needed to study up and that fetch notetaking alone wasn’t quite enough, but doing okay. Homework was the thing she had to do on her own, though. And apparently the fetch wasn’t super great at group activities. Which was mostly fine when none of her classes involved much. - Excerpt from Playing a Part 15.1</ref> Was given a ward so she didn't absorb Brett's negativity.<ref name=":7">“You’re not absorbing any of that negativity or anything?”

“Nah. Not since the little ward you put inside me.”

“Good stuff. Does he suspect you’re not the real me?”

Fetch-Verona snorted.

- Excerpt from Gone and Done It 17.7</ref>

Spells, Rituals, and other Feats

Knows her own construction inside and out.<ref name=":2">Melissa stabbed the end of her cane into the edge of the very solid table, in Julette’s general direction, and leaned forward into the handle. “What about you?”

“Without giving too much away… [...] Body double. Cushy gig, mostly. Boys. Lazing around. Art. I get to look over her shoulder while she’s doing the magic stuff. I’m involved, without all the hassle. She bounces ideas off me. I’m just different enough from her, I don’t tell her exactly what she already knows and thinks.
[...]
Julette picked up the mannequin head, and turned it around. “I’ve been getting into sculpture. I help with the building. I really like seeing how things are put together. How people are put together. Clothes, sometimes. How Others are.”
[...]
She was a student of how Others were put together. Herself most of all. It was important, as this very scenario illustrated. - Excerpt from Let Slip 20.z</ref>

References