Kira-Lynn Everett

 <title source="Name">
   <default>Kira-Lynn Everett</default>
 </title>
 <image source="Image">
 </image>
 
 <title source="title">
 </title>
 
   <label>Alias</label>
 
 
 
 
   <label>Age</label>
 
 
   <label>Gender</label>
 
 
   <label>Status</label>
 
 
   <label>Type</label>
 
 
 
 
 
 
 
 
   <label>Classification</label>
 
 
 
 
 
 
   <label>Affiliation</label>
 
 
 
 
 
 
   <label>Family</label>
 
 
 
 
 
 
   <label>Occupation</label>
 
 
 
 
 
 
   <label>First Appearance</label>

</infobox> Kira-Lynn Everett is one of the practitioners from St. Victor's. She is apprenticed to Griffin Lyttle, a spirit surgeon.

Personality

She wants to avoid "C grade" life, and wants to make a mark on the world<ref>She’d started doing it last year, around the time she’d started noticing that C- life her parents were leading. At the first hint she was into boys, they’d started joking about her finding her future husband now, like they had, she’d seen their life looming ahead of her, and she’d known she needed out. - Excerpt from Let slip 20-f</ref>

Abilities and Art

Kira-Lynn is primarily a spirit surgeon, able to adjust and remove parts of one's self and one's Self<ref>“Two, second aspect, different angle. You’re part echo, spirit tools will struggle with those parts. So we project. Kira-Lynn? That’s your job. You’re my right hand woman.” Excerpt from Let Slip 20-f</ref>

Her Second Sight views people and objects as a children's puzzle made of unique pieces, the most defined pieces at key points of the body. With a minutes concentration she could read things through the symbols those parts appeared as.<ref>She clomped around to the bathroom to check herself in the mirror, making sure there was no lint or stray hairs, then used her Sight to ensure the fundamental essence of her being was lined up and balanced.

She peered at herself in the mirror to see the tapestry of interlocking spirits and images. It resembled a children’s puzzle, each piece not a puzzle piece, but a lady devil with a die in each hand, gold teeth gleaming, the horns forming the triangle shape that defined the gap between the legs of other pieces, a crow with a spyglass and a crow taking notes. It was that way throughout, with the key, most detailed pieces at the key points of crown, brow, throat, heart, solar plexus, deep stomach, and groin. She could view other people and things in this detail, but it took a minute of concentration to bring it into real focus. With herself, she got the full, ruthless scoop. The storybook character in process of pauperess to princess, rags threatening to drag her back down, the gambler with devil horns, the child in a well. Crown, brow, throat.

Her heart was a dog, curled up into the fetal position, wary after bad experiences, sitting on a bed that was… she hated to see it. Pieces others had thrust into the mosaic, ill-fitting, jarring, sitting out of alignment, jostling as she moved, garish pinks and baby blues in color. Whores and sluts and eye candy. Bra straps visible through clothes, underwear peeking up out of the back of jeans, collarbone, nape of neck. Their dicks baby blue and misshapen and their Catholic guilt represented in snakes and apples, jammed into the mix, wedged into gaps where pieces didn’t fit. - Excerpt from Let Slip 20.f</ref>

Tools

Abyssal Black Branches
Abyssal Lantern<ref>The coloration- white skin too white, shadows with faint swirls and shifting watercolor to them. Kira-Lynn had taken in more Abyss stuff. And she was carrying a lantern that really made that divide much starker- the light from the lantern very white, the metal very black and swirly. - Excerpt from Finish off 24-11</ref>

References